{"id":1302,"date":"2022-01-17T11:48:56","date_gmt":"2022-01-17T11:48:56","guid":{"rendered":"https:\/\/www.societateamuzicala.ro\/sorinantohi\/?p=1302"},"modified":"2022-01-17T11:50:03","modified_gmt":"2022-01-17T11:50:03","slug":"intilnirile-grupului-din-iasi-cu-cioran-si-operele-sale","status":"publish","type":"post","link":"https:\/\/www.societateamuzicala.ro\/sorinantohi\/intilnirile-grupului-din-iasi-cu-cioran-si-operele-sale\/","title":{"rendered":"\u00cent\u00eelnirile \u201eGrupului din Ia\u015fi\u201c cu Cioran \u015fi operele sale"},"content":{"rendered":"

S\u0103 \u00eencep ab ovo? S\u0103 nu \u00eencep? Incomod\u0103 ezitare, fra\u0163ilor, m\u0103car c\u0103 nu am nici un suvenir intrauterin cu Decompozitorul din R\u0103\u015finarii Sibiului,\u00a0 indimenticabilul personagiu al restituitei noastre conversa\u0163ii postlovilu\u0163ionare din toamna anului 1991, iar dic\u0163ionarul de literatur\u0103 contemporan\u0103 hexagonal\u0103, diriguit de Pierre de Boisdeffre (dar cadouat subsemnatului de profesoara Sanda Stavrescu, nepoata noician\u0103), \u015fi crohm\u0103lniceana exegez\u0103 a literaturii rom\u00e2ne interbelicoase le voi fi consultat acribios davnim-davno, \u00eentre 1966 \u015fi 1970, vreme a studiilor mele superioare de filologie, contemporane, ele, cu \u00eenceputul ceau\u015finei Epoci de Aur, \u015faizecioptismul sorbonard, ecloziunea revistelor studentine din Valahia, invazia sovietic\u0103 a Cehoslovaciei\u2026 et tout le toutime. Via Ovid. S. Crohm\u0103lniceanu\u00a0 \u00eent\u00eelneam\u00a0 excerpte mustoase din\u00a0 Schimbarea la fa\u0163\u0103 a Rom\u00e2niei, prin Boisdeffre aflam de existen\u0163a acelui Pr\u00e9cis de d\u00e9composition pe care aveam s\u0103 mi-l \u015fi procur la cursurile de var\u0103 din 1969. Doar c\u0103, atunci c\u00eend, naiv \u015fi de bun\u0103 credin\u0163\u0103, \u00eei propuneam nepoatei noiciene, responsabil\u0103 cu cercul \u015ftiin\u0163ific al studen\u0163ilor de la Sec\u0163ia de Francez\u0103, s\u0103 tematiz\u0103m, la una dintre \u00eent\u00eelnirile mensuale, aventura cioranian\u0103, aceea, veri\u015foara Siminei Noica, foarte se panica \u015fi de pu\u015fc\u0103ria Unchiului Dinu \u00eemi gavarea, prilejuit\u0103, \u00eentre altele, de o faimoas\u0103 scrisoare primit\u0103 dinspre un prieten \u00eendep\u0103rtat.<\/p>\n

\"\"<\/a>Exemplarul de buzunar fesier din Trac\u00adtatul despre descompunere aveam s\u0103-l p\u0103strez asupra mea, \u015fi chiar permanent, \u00een timpul lunilor de armat\u0103, la Bucure\u015fti, unde doar camarazilor Paul Grigoriu, Gicu Postolache \u015fi Sandu Vornicu \u00eel ar\u0103tam discretamente, duminica, zi de neinstruiri militare. Cu ultimul \u015fi cu Sergiu Streza, viitor pop\u0103 vatican, urma s\u0103 implement\u0103m \u00eent\u00eeia din cele trei troici la care voi fi fost arondat p\u00een\u0103 la Lovilu\u0163ia Decabrie din 1989. C\u0103ci, proasp\u0103t \u00eentors din corvoada soldatesc\u0103, \u00eel rugam pe unul dintre fo\u015ftii mei profi de elucubra\u0163ii marxiene, Tudor Ghideanu, s\u0103-mi \u00eemprumute, pe numele lui, din Fondul S \u015fi pentru lectur\u0103 \u00een sala cad(av)relor didactice de la Biblioteca Universitar\u0103 Central\u0103, Schimbarea la fa\u0163\u0103 a Rom\u00e2niei, conspectat\u0103 apoi meticulos \u00een scopul unei perfecte dezintoxic\u0103ri de na\u0163ionalism ceau\u015fiu, nombrilism moldaviu \u015fi entocentrism infanteriu.<\/p>\n

\"\"<\/a>Ne \u00eent\u00eelneam tustrei, sear\u0103 de sear\u0103, \u00eentr\u2011o infirmerie a c\u0103minelor studen\u0163e\u015fti copouane, Sergiu Streza, Sandu Vornicu & Mandea, carele, bidiviu mijlociu al troicii, vocaliza pasagiile cele mai extravagante, neconsemnate \u00een opul crohm\u0103lnicean, din La Trans\u00adfiguration de la Roumanie, despre: cele dou\u0103 milenii de subistorie, \u0163ara noastr\u0103 ca realitate doar geografic\u0103, tragedia culturilor mici, trecutul iubit cu o ur\u0103 grea, Bucure\u015ftiul menit preschimb\u0103rii \u00eentr-un Constantinopol al Balcanilor\u2026 i tak dal\u015fe. Eram cu to\u0163ii sensibili la dimensiunea critic\u0103, deconstructoare a stereotipiilor\u00a0 ba\u015ftinale, nu la exalt\u0103rile privind o nou\u0103 ordine politic\u0103, aduc\u0103toare, aceasta, de schimb\u0103ri la fa\u0163\u0103 spectaculare. Din edi\u0163ia int\u00eei a valentin-lipattienelor Valori franceze, deduceam, cam tot atunci, \u015fi for\u0163a stilistic\u0103 a fragmentului st\u00eernitor de scandal din Mica teorie despre destin, capitol esen\u0163ial pentru noi, din La Tentation d\u2019exister\u2026<\/p>\n

\"\"<\/a>Tot \u00een 1971 ob\u0163ineam la schimb, dinspre antecitatul Tudor Ghideanu, Le Mauvais D\u00e9miurge. Mi-l d\u0103dea contra unui exemplar nou-nou\u0163 din Mitologiile roland-barthesiene, trebuitoriu lui pentru o doctoral\u0103 tez\u0103, \u015fi nici azi nu cred c\u0103 am pierdut la schimb, opul cioranian st\u00eernindu-mi interes c\u0103tre curentele heterodoxe ale Antichit\u0103\u0163ii \u015fi Evului Mediu, Leisegang, Hans Jonas, Puech, Ren\u00e9 Nelli, scrierile Catarilor \u015fi\u2026 restul. Restul? P\u0103i, Eric Voegelin \u015fi Alain Besan\u00e7on, s\u0103 spunem, adic\u0103telea interpretatorii glorioaselor \u00eenv\u0103\u0163\u0103turi marxo-staleniniene drept gnoze degradate, sincretisme de trei lulele, ghiveci de ideologeme, ori ai partidului clasei muncitoare drept o elit\u0103 de mai-\u015ftiutori cinici, pezevenghi, pragmatici, amorali + pu\u015fi pe cob\u00eel\u0163\u00eeiri istoriale remunerante. Dar, vai, prima troic\u0103 se destr\u0103ma v\u0103leat 1975, odat\u0103 cu emigrarea lui Sergiu Streza \u00een Italia, prin USA, \u00eentru studii \u00eenalte la Academia Gregorian\u0103. Nu curgea \u00eens\u0103 mult\u0103 ap\u0103 pe valea Bahluiului \u015fi se \u00eenfiripa o a doua troic\u0103, alc\u0103tuit\u0103 din Liviu Antonesei, Valeriu Gherghel, redactori la Opinia studen\u0163easc\u0103, \u015fi\u00a0 cel ce v\u0103 spune, prezentamente,\u00a0 pove\u015fti de adormit adul\u0163i cul\u0163i, troic\u0103 unde m\u0103 trezeam iar tr\u0103pa\u015f mijlociu sau, ca mai v\u00eerstnic, primus inter pares.<\/p>\n

\"\"<\/a>Fire\u015fte, afl\u00eendu-se sub cenzur\u0103 Cioran, izbuteam cel mult, gra\u0163ie complicit\u0103\u0163ilor amicale, s\u0103 strecur\u0103m din el titluri ori citate, f\u0103r\u0103 a\u2011l numi, \u00een studentinele publica\u0163iuni Dialog sau Opinia. Mai mult, Liviu Antonesei st\u00eend \u00een bune rela\u0163ii cu\u00a0 C\u0103t\u0103lin Bordeianu, nepotul directorului Bibliotecii Universitare Centrale, ob\u0163inea s\u0103 i se aduc\u0103 acas\u0103, pe t\u0103vi\u0163\u0103 de argint, exemplare din c\u0103r\u0163ile rom\u00e2ne\u015fti ale Decompozitorului, iar pe unele reu\u015fea s\u0103 le \u015fi fotocopieze gra\u0163ie unor complicit\u0103\u0163i\u00a0 \u2013 mul\u0163umit\u0103 unor solidarit\u0103\u0163i \u2013 l\u0103turalnice, \u00een timp ce eu receptam ca dar de la profesorul Ion Condrea, colec\u0163ionar de vechituri livre\u015fti + tablouri, o copie din edi\u0163ia princeps a Schimb\u0103rii la fa\u0163\u0103, ce avea s\u0103-mi fie confiscat\u0103\u00a0 la perchezi\u0163ia din 1983, \u015fi de la poetul fotbalist Eugen Suciu, una din Metafizica lui Nae Ionescu.<\/p>\n

Anul 1979, pe de alt\u0103 parte, \u00eei \u015fi data constituirii oficiale a Cercului Veteranilor Dia\u00adlogici, stahanovi\u015fti ai \u00eent\u00eelnirilor intelectuale lunare \u00een diverse locuri microfonizate, precum redac\u0163ia Dialogului, sediul revistei Cronica ori biroul romancierului\u00a0 Corneliu \u0218tefanache de la aceea\u015fi Bibliotec\u0103 Uni\u00adversitar\u0103 Central\u0103. \u00cen acest context, \u015fi la sugestia poetului Mihai Ursachi, asumam\u00a0 dou\u0103 comunic\u0103ri, urmate de niscaiva dezbateri \u015fi f\u0103c\u0103toare de oarece valuri,\u00a0 comunic\u0103ri instalate solid sub intitulan\u0163a\u00a0 Doi precursori ai umanismului socialist: Divinul Marchiz de Sade \u015fi Emil Cioran. Fiindu-le limpede c\u0103 am s\u0103rit calul \u015fi ne d\u0103m \u00een stamb\u0103 nepermis de tare, organele de sub ceau\u015fia burtic\u0103, securienii, ne-or strigat: Halt! \u015ei: Niet! Pruden\u0163i, l\u0103sam totul balt\u0103, apuc\u00eendu-ne de altele.<\/p>\n

P\u00een\u0103, aproximativ, \u00een 1980 perdureaz\u0103 a doua troic\u0103. Dup\u0103 aia, ne duceam fiecare \u00een trebile lui, Valeriu Gherghel \u015fi Liviu Antonesei l\u0103s\u00eendu-se atra\u015fi tot mai puternic \u00een sfera de \u00eenr\u00eeurire \u2013 precump\u0103nitor modelatoare, prea pu\u0163in catalizatoare \u2013 a Criterioni\u015ftilor + a filozofului Constantin Noica, des venitoriu prin Dulcele T\u00eerg al Ia\u015fio\u0163ilor, unde \u00eel a\u015ftepta \u015fi o iubit\u0103 cu dubl\u0103 \u00eentrebuin\u0163are. La acea dat\u0103, eu, de\u015fi Georges Bataille nu-mi era strein, blanchotizam \u00een draci, din motive profesionale, lautr\u00e9amontologice \u015fi teziale, pun\u00eend, \u00eempreun\u0103 cu Dan Petrescu & Sorin Antohi, redactori\u00a0 vremelnici ai revistei Dialog, de o nou\u0103 \u015fi ultim\u0103 troic\u0103, obiect al perchezi\u0163iilor + anchetelor pretoriene din 18 mai 1983. Or, se \u00eent\u00eempla c\u0103 primul, c\u0103s\u0103torit cu sora fostului s\u0103u coleg de facultate Ioan Petru Culianu, dezvolta, \u00een periodul acela, o curiozitate cu adev\u0103rat epistemologic\u0103 pentru Mircea Eliade, a c\u0103rui literatur\u0103 fic\u0163ionar\u0103 \u00eel incita la elaborarea unei lucr\u0103ri de referin\u0163\u0103 \u00een teoria fantasticului \u015fi a alteia, blindat\u0103 cu bibliografie maximal\u0103, despre tenta\u0163ia Orientului la interbelicii valahi. Sorin, pe de alt\u0103 parte, \u015ftudinte mai b\u0103tr\u00eeior, deci foarte copt, doct \u00een SF \u015fi imaginar utopic, se vedea remotivat \u00een alegerile sale dup\u0103 cetirea capitolului Mecanismele utopiei din \u00eemprumutata de la mine Histoire et Utopie. Era \u00een joc o \u00eenr\u00eeurire doar catalizatoare, blagian vorbind, \u015fi la el, ca \u015fi la Mandea. Dar ce \u00eensemneaz\u0103 ea, \u00eenr\u00eeurirea catalizatoare a Decompozitorului, dac\u0103 nu \u00eendemn de a fi noi \u00een\u015fine, de a ne prelungi cerceturile \u015fi alimenta curiozit\u0103\u0163ile strict personale, induse sau nu de al\u0163ii ori de lecturi secrete, rare, interzise, uneori numai nea\u015fteptate, \u00eendemnul, dar\u0103, de a ne crea \u2013 dac\u0103 m\u0103car de a mima \u2013 propria noastr\u0103 diferen\u0163\u0103, specific\u0103, patafizic\u0103, stilistic\u0103. Unde? \u00cen eseu, \u00een scriitura fragmentar\u0103, \u00een articolul circumstan\u0163ial, \u00een studiul de specialitate + \u00een\u2026 praxa discipulicidului, incit\u00eendu-ne a\u015fadar, dinspre Silogismele am\u0103r\u0103ciunii, s\u0103 ucidem \u00eenv\u0103\u0163\u0103celul din noi \u00een loc de a ne paricidiza magi\u015ftrii prilejuali, dar \u015fi s\u0103 luam cu\u00a0 c\u00eeini la goan\u0103 alumnii prea pupincuri\u015fti, prea imitaci, din jurul nostru, incapaci, ei, s\u0103 se federeze cu noi \u00eentr-o conspira\u0163ie a inegalilor, a singularilor, a individualilor, a celibatarilor metafizici. La Sorin Antohi, rezultatul cel mai b\u0103\u0163os al impactului cu Omul din R\u0103\u015finari avea sa fie o carte, \u00een limba francez\u0103, de cioranologie pur\u0103, nemurit\u0103 la Editura L\u2019Harmattan \u015fi, totodat\u0103, contribu\u0163ie inocolibil\u0103, dinspre un istoric profesionist al ideilor, la exegeza c\u00eetorva motive tari din Schimbarea la fa\u0163\u0103 a Rom\u00e2niei \u015fi Mica teorie despre destin. Mai ales c\u0103, recent, a ie\u015fit \u015fi, f\u0103ptuire a lui Alain Paruit, versiunea hexagonal\u0103 a opului problematic, retitulat La Trans\u00adfiguration de la Roumanie. De unde, \u00eenc\u0103 o dat\u0103, temeinicia incursiunii antohiene \u00een Selbsthass, evident\u0103, \u015fi ea, la o relectur\u0103 actualizatoare.<\/p>\n

La mine, \u00een rivalitate cu studiul lui Sorin, se i\u0163eau Sentimentul rom\u00e2nesc al urii de sine, un titlu cioranoician mai degrab\u0103 \u015fi o tematizare qui vaut ce qu\u2019elle vaut, plus ni\u015fte puneri \u00een valoare ale textulelor Decompozitorului, dou\u0103 la num\u0103r, din Comoedia anului 1943. [\u2026]<\/p>\n

Sursa: ObservatorulCultural.ro<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

S\u0103 \u00eencep ab ovo? S\u0103 nu \u00eencep? Incomod\u0103 ezitare, fra\u0163ilor, m\u0103car c\u0103 nu am nici un suvenir intrauterin cu Decompozitorul din R\u0103\u015finarii Sibiului,\u00a0 indimenticabilul personagiu al restituitei noastre conversa\u0163ii postlovilu\u0163ionare din toamna anului 1991, iar dic\u0163ionarul de literatur\u0103 contemporan\u0103 hexagonal\u0103, diriguit de Pierre de Boisdeffre (dar cadouat subsemnatului de profesoara Sanda Stavrescu, nepoata noician\u0103), \u015fi […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13],"tags":[168,65,180,183,181,104,27,22,182,165,21,178,18,93,179,23],"class_list":["post-1302","post","type-post","status-publish","format-standard","hentry","category-news","tag-carte-antohi","tag-conferinta-sorin-antohi","tag-conferinte-sorin-antohi","tag-dialog-antohi","tag-dialog-sorin-antohi","tag-ganditor-sorin-antohi","tag-imaginar-social","tag-intellectual-history","tag-interviu-antohi","tag-interviu-sorin-antohi","tag-istoria-ideilor","tag-istoric-al-ideilor","tag-sorin-antohi","tag-sorin-antohi-carte","tag-sorin-antohi-istoric","tag-the-history-of-ideas"],"acf":{"cc_filter":[],"poza_fixa":false,"url_poza_fixa":"","format_poza_fixa":"full-img-4-3","oras":"","sector":"","zona":"","in_strainatate":false,"pian":false,"orga":false,"data1":1642426929,"data2":"","afiseaza_data_post":false,"acf_sala":"","centru_cultural":"","articole_parinte":"","articole_relationate":"","coordonate":false,"tab1_nume":"Despre","tab3":false,"tab5":false,"tab4":false},"yoast_head":"\n\u00cent\u00eelnirile \u201eGrupului din Ia\u015fi\u201c cu Cioran \u015fi operele sale - Sorin Antohi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.societateamuzicala.ro\/sorinantohi\/intilnirile-grupului-din-iasi-cu-cioran-si-operele-sale\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00cent\u00eelnirile \u201eGrupului din Ia\u015fi\u201c cu Cioran \u015fi operele sale - Sorin Antohi\" \/>\n<meta property=\"og:description\" content=\"S\u0103 \u00eencep ab ovo? S\u0103 nu \u00eencep? Incomod\u0103 ezitare, fra\u0163ilor, m\u0103car c\u0103 nu am nici un suvenir intrauterin cu Decompozitorul din R\u0103\u015finarii Sibiului,\u00a0 indimenticabilul personagiu al restituitei noastre conversa\u0163ii postlovilu\u0163ionare din toamna anului 1991, iar dic\u0163ionarul de literatur\u0103 contemporan\u0103 hexagonal\u0103, diriguit de Pierre de Boisdeffre (dar cadouat subsemnatului de profesoara Sanda Stavrescu, nepoata noician\u0103), \u015fi […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.societateamuzicala.ro\/sorinantohi\/intilnirile-grupului-din-iasi-cu-cioran-si-operele-sale\/\" \/>\n<meta property=\"og:site_name\" content=\"Sorin Antohi\" \/>\n<meta property=\"article:published_time\" content=\"2022-01-17T11:48:56+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-01-17T11:50:03+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.observatorcultural.ro\/wp-content\/uploads\/2022\/01\/Sentimentul-romanesc-al-urii-de-sine-coperta-300x300.jpg\" \/>\n<meta name=\"author\" content=\"Daniel Catoi\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Daniel Catoi\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.societateamuzicala.ro\\\/sorinantohi\\\/intilnirile-grupului-din-iasi-cu-cioran-si-operele-sale\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.societateamuzicala.ro\\\/sorinantohi\\\/intilnirile-grupului-din-iasi-cu-cioran-si-operele-sale\\\/\"},\"author\":{\"name\":\"Daniel Catoi\",\"@id\":\"https:\\\/\\\/www.societateamuzicala.ro\\\/sorinantohi\\\/#\\\/schema\\\/person\\\/a6e18b6f79c277515fbffc8ab1a0066e\"},\"headline\":\"\u00cent\u00eelnirile \u201eGrupului din Ia\u015fi\u201c cu Cioran \u015fi operele sale\",\"datePublished\":\"2022-01-17T11:48:56+00:00\",\"dateModified\":\"2022-01-17T11:50:03+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.societateamuzicala.ro\\\/sorinantohi\\\/intilnirile-grupului-din-iasi-cu-cioran-si-operele-sale\\\/\"},\"wordCount\":1533,\"image\":{\"@id\":\"https:\\\/\\\/www.societateamuzicala.ro\\\/sorinantohi\\\/intilnirile-grupului-din-iasi-cu-cioran-si-operele-sale\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.observatorcultural.ro\\\/wp-content\\\/uploads\\\/2022\\\/01\\\/Sentimentul-romanesc-al-urii-de-sine-coperta-300x300.jpg\",\"keywords\":[\"carte antohi\",\"Conferinta Sorin Antohi\",\"conferinte sorin antohi\",\"dialog antohi\",\"dialog sorin antohi\",\"ganditor sorin antohi\",\"imaginar social\",\"intellectual history\",\"interviu antohi\",\"interviu sorin antohi\",\"istoria ideilor\",\"istoric al ideilor\",\"sorin antohi\",\"sorin antohi carte\",\"sorin antohi istoric\",\"the history of ideas\"],\"articleSection\":[\"News\"],\"inLanguage\":\"en-GB\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.societateamuzicala.ro\\\/sorinantohi\\\/intilnirile-grupului-din-iasi-cu-cioran-si-operele-sale\\\/\",\"url\":\"https:\\\/\\\/www.societateamuzicala.ro\\\/sorinantohi\\\/intilnirile-grupului-din-iasi-cu-cioran-si-operele-sale\\\/\",\"name\":\"\u00cent\u00eelnirile \u201eGrupului din Ia\u015fi\u201c cu Cioran \u015fi operele sale - 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