{"id":28208,"date":"2016-08-20T19:40:55","date_gmt":"2016-08-20T19:40:55","guid":{"rendered":"https:\/\/www.societateamuzicala.ro\/societateaculturala\/?p=28208"},"modified":"2016-08-20T19:40:55","modified_gmt":"2016-08-20T19:40:55","slug":"habanera","status":"publish","type":"post","link":"https:\/\/www.societateamuzicala.ro\/societateaculturala\/habanera","title":{"rendered":"Habanera"},"content":{"rendered":"
\"Primul<\/a>

Primul afis Carmen – Opera Comique Paris, 1875<\/p><\/div>\n

Presa locala din Havana anului 1809 vorbea in termeni duri despre un fenomen abominabil la inceput de secol nouasprezece: raspandirea unui stil muzical (si a dansului subsecvent) mult prea lasciv, concupiscent si libertin \u2013 contradanza (contradanza criolla, habanera)<\/em>. Derivata din contredanse<\/em>-ul\/contra dance<\/em>-ul \u00a0adus in America de emigrantii spanioli, englezi si francezi, habanera<\/strong> se bazeaza in Cuba pe un pattern arhaic african, cu un ritm combinat de tresillo si backbeat.<\/p>\n

Contradanza s-a extins in toata America latina: Mexic, Venezuela, Peru, Ecuador\u2026<\/p>\n

Din habanera \u2013 dansul Havanei sau dansul din Havana<\/strong> \u2013 s-au dezvoltat apoi mambo-ul si cha cha cha-ul. Chiar daca la inceput nu purta acest nume, \u201chabanera\u201d asa a devenit cunoscuta in lumea intreaga, acest cuvant impunandu-se apoi si in Cuba si prevaland in raport cu termenul \u201ccontradanza\u201d.<\/p>\n

Potrivit muzicologului Peter Manuel, originea habanerei nu poate fi stabilita cu exactitate, Natalio Galan (Cuba) etichetand acest gen ca \u201canglofrancohispanoafro-cubano\u201d! Pe de alta parte, in cartea \u201cLa Musica en Cuba\u201d, romancierul Alejo Carpentier sustine ca habanera ar proveni din dansurile aduse de imigrantii francezi in timpul Revolutiei din Haiti (1791-1803) si ca ar fi prima forma de contradans cubanez (sau creol).<\/p>\n

Spre sfarsitul secolului al nouasprezecelea, habanera se intoarce asemeni unui (re)flux de maree in Europa, marinarii spanioli readucand contradansul, impregnat de misterul Havanei, pe tarmurile Europei.<\/p>\n

Compozitori importanti ii acorda multa atentie: Maurice Ravel scrie o habanera pentru \u201cRapsodia sa spaniola\u201d (piesa pentru pian, 1895), Camille Saint-Saens scrie \u201cHavaneza\u201d pentru vioara si orchestra, Emmanuel Chabrier compune \u201cHabanera pentru orchestra\u201d\u2026Anibal Troilo inregistreaza „La Trampera”, utilizand habanera pe care a ascultat-o in opera \u201cCarmen\u201d de G. Bizet!<\/p>\n

Georges Bizet (1838-1875)<\/strong> a inclus o habanera in actul intai al spectacolului \u201cCarmen\u201d (1875),<\/strong> considerand initial ca \u201cprelucreaza\u201d o piesa folclorica spaniola, apoi notificand creditul pentru \u201cEl Arreglito\u201d<\/strong>, un cantec cu ritm de habanera scris de un compozitor basc, Sebastian Iradier (Yradier)<\/strong>. Asadar una dintre cele mai celebre arii – \u201cHabanera\u201d din \u201cCarmen\u201d – este in esenta scrisa de Iradier, fara a ramane nimic dintr-o controversa in acest sens.<\/p>\n

Aria poarta titlul \u201cL\u2019amour est un oiseau rebel\u201d si introduce (scena 5, actul I) personajul principal, Carmen (rol de mezzosoprana).<\/p>\n

Soprana Angela Gheorghiu, intr-o inregistrare din 2005:<\/p>\n

https:\/\/www.youtube.com\/watch?v=axvhEUyVfX0<\/a><\/p>\n

Libretul original (inspirat din nuvela lui Prosper Merimee) a fost scris de Henri Meilhac si Ludovic Halevy. Numele acestora este obligatoriu de mentionat in acest context, pentru ca au reusit performanta notabila de a surprinde in versuri esente de habanera autentica:<\/p>\n

„Quand je vous aimerai?
\nMa foi, je ne sais pas,
\nPeut-\u00eatre jamais, peut-\u00eatre demain.
\nMais pas aujourd’hui, c’est certain!<\/p>\n

\u2026<\/p>\n

Si tu ne m’aimes pas,
\nSi tu ne m’aimes pas, je t’aime; (Prends garde \u00e0 toi!)
\nMais si je t’aime, si je t’aime;
\nPrends garde \u00e0 toi! (Prends garde \u00e0 toi!)”<\/p>\n","protected":false},"excerpt":{"rendered":"

Presa locala din Havana anului 1809 vorbea in termeni duri despre un fenomen abominabil la inceput de secol nouasprezece: raspandirea unui stil muzical (si a dansului subsecvent) mult prea lasciv, concupiscent si libertin \u2013 contradanza (contradanza criolla, habanera). Derivata din contredanse-ul\/contra dance-ul \u00a0adus in America de emigrantii spanioli, englezi si francezi, habanera se bazeaza in […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3777],"tags":[332,281,200,669,3779,333,282,283,196,197,201,198,199,280,272,290,284,289,358,334,222],"class_list":["post-28208","post","type-post","status-publish","format-standard","hentry","category-mezzopiano-stories-by-cosmina-cornea","tag-compozitor","tag-concert-cameral","tag-concerte-muzica-clasica","tag-conservator","tag-cosmina-cornea","tag-dirijor","tag-festival","tag-instrumentisti","tag-muzica","tag-muzica-clasica","tag-muzica-clasica-romania","tag-muzica-culta","tag-muzica-simfonica","tag-muzician","tag-opera","tag-orchestra","tag-pianist","tag-simfonie","tag-sonata","tag-stagiune","tag-violonist"],"acf":{"cc_filter":["muzica-clasica"],"poza_fixa":"https:\/\/www.societateamuzicala.ro\/societateaculturala\/wp-content\/uploads\/2015\/10\/Carmen-de-Bizet-la-Opera-din-Brasov-5.jpg","url_poza_fixa":"","oras":"","in_strainatate":false,"pian":false,"orga":false,"data1":"1471732680","data2":"","afiseaza_data_post":false,"centru_cultural":"","articole_parinte":"","articole_relationate":"","coordonate":false,"tab1_nume":"Despre","tab3":false},"yoast_head":"\nHabanera - Societatea Culturala<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.societateamuzicala.ro\/societateaculturala\/habanera\" \/>\n<meta property=\"og:locale\" content=\"ro_RO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Habanera - Societatea Culturala\" \/>\n<meta property=\"og:description\" content=\"Presa locala din Havana anului 1809 vorbea in termeni duri despre un fenomen abominabil la inceput de secol nouasprezece: raspandirea unui stil muzical (si a dansului subsecvent) mult prea lasciv, concupiscent si libertin \u2013 contradanza (contradanza criolla, habanera). 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