{"id":22825,"date":"2016-02-02T09:16:37","date_gmt":"2016-02-02T09:16:37","guid":{"rendered":"https:\/\/www.societateamuzicala.ro\/societateaculturala\/?p=22825"},"modified":"2016-02-02T09:26:25","modified_gmt":"2016-02-02T09:26:25","slug":"unde-sunt-banii-lui-maurice-ravel","status":"publish","type":"post","link":"https:\/\/www.societateamuzicala.ro\/societateaculturala\/unde-sunt-banii-lui-maurice-ravel","title":{"rendered":"Unde sunt banii lui Maurice Ravel?"},"content":{"rendered":"

Datorita unui imbroglio<\/em> legislativ referitor la drepturile de autor ale compozitorilor europeni, \u201cBolero\u201d-ul lui Maurice Ravel <\/strong>va intra in asa-numitul juridic \u201cdomeniu public\u201d doar in data de 20 aprilie 2016! Pana atunci aceasta lucrare muzicala genereaza in mod obstinat sume anuale impresionante, din drepturi de autor si drepturi conexe (o aproximare facuta la sfarsitul anilor \u201990, in publicatia \u201cThe Guardian\u201d, indica un \u201cprofit\u201d colectat de peste 40 milioane de lire sterline, pana la acea data). Dar unde sunt banii lui Maurice Ravel? Povestea banilor produsi de \u201cBolero\u201d este poate una dintre cele mai captivante istorii ale drepturilor de autor dintotdeauna, cuprinzand tot soiul de ingrediente si ratacind uneori labirintic cursul unor episoade in care o Ariadna moderna pare sa fi incurcat itele prin anturaje manipulative, masinatiuni machiavelice si intamplari la limita neverosimilului.<\/p>\n

\"Ida<\/a>

Ida Rubinstein in Bolero 1928<\/p><\/div>\n

Dupa o tentativa esuata de a orchestra \u201cIberia\u201d lui Isaac Albeniz, Maurice Ravel isi pastreaza interesul pentru dansurile traditionale andaluze si compune in 1928 \u201cBolero\u201d-ul, pentru Ida Rubinstein<\/strong>, o balerina maiestuoasa a epocii. \u201cUn veritabil imn al dorintei\u201d, \u201co exaltare a erotismului\u201d, o piesa interpretata de cel putin patru ori in fiecare ora a zilei, undeva, in intreaga lume! Intr-un ostinato<\/em> cu 169 de repetari, masurile cele doua melodii mega-celebre ale \u201cBolero\u201d-ului par sa fi fost scrise in casuta Belvedere, situata in apropierea Parisului, la Montfort-l\u2019Amaury, nu departe de padurea Rambouillet, unul dintre locurile preferate de compozitor pentru plimbarile sale. Intr-un interviu Maurice Ravel spunea: \u201cEn 1928, sur la demande de Madame Rubinstein, j\u2019ai compose un bolero pour orchestre. C\u2019est une danse d\u2019un mouvement tres modere et constamment uniforme, tant par la melodie que par l\u2019harmonie et le rythme, ce dernier marque sans cesse par le tambour. Le seul element de diversite y est apporte par le crescendo orchestral.\u201d (trad: In anul 1928, la cererea Doamnei Rubinstein am compus un bolero pentru orchestra. Este un dans cu o miscare foarte moderata si in mod constant uniforma, atat prin melodie cat si prin armonie si ritm, acesta din urma fiind continuu marcat de tambur. Singurul element de diversitate e adus aici de crescendo-ul orchestral.)<\/p>\n

Spre marea surprindere a lui Ravel, piesa cunoaste imediat un succes urias, fiind luata apoi si drept model absolut de orchestratie. In cartea lui Marnat, \u201cMaurice Ravel\u201d<\/strong> putem descoperi o declaratie aproape socanta a compozitorului, referitoare la aceasta lucrare: \u201cMon chef-d\u2019oeuvre? Le Bolero, voyons! Malheureusement, il est vide de musique!\u201d Ceea ce multora le pare o muzica invaluitoare, compozitorului insusi ii suna,de fapt, lipsit de muzica!<\/p>\n

La doua decenii dupa moartea lui Ravel, o anumita doamna Jeanne Taverne si sotul ei, Alexandre devin \u201clegatari universali\u201d ai lui Edouard Ravel, fratele compozitorului si singurul sau mostenitor. In 1964, 36 de milioane de franci provenind din drepturile de autor ale \u201cBolero\u201d-ului ii revin unicului legatar testamentar in viata, Alexandre Taverne, fost sofer al lui Edouard Ravel! Este momentul in care Jean-Jacques Lemoine, fost director juridic al SACEM (Societe des Auteurs, Compositeurs et Editeurs de Musique)devine avocatul lui A. Taverne. Apoi\u2026 nu-se-stie-exact-cum (de), in 1971, Taverne cedeaza jumatate din drepturile mostenite unui off-shore numit \u201cArtists Rights International Management Agency\u201d, cu sediul in Gibraltar. Incepand de atunci, sume cuprinse intre 2 si 40 de milioane de euro anual, degajate de drepturile de autor ale creatiilor lui Ravel intra in conturile acestei societati, ARIMA Ltd.!<\/p>\n

Pana in anul 1993, \u201cBolero\u201d-ul a stat pe locul intai in clasamentul mondial al cifrelor provenind din drepturile de autor muzicale.<\/p>\n

Despre \u201cBolero\u201d-ul ravelian se mai spune ca ar fi cel mai cunoscut ostinato<\/em>. \u201cOstinato\u201d <\/strong>(it. \u201cincapatanat\u201d) = un motiv sau o fraza care se repeta constant; modelul ritmic poate fi al unei parti dintr-o melodie sau al unei melodii complete.<\/p>\n

Nota: \u201cDomeniul public\u201d contine lucrari ale caror drepturi de proprietate intelectuala au expirat. In Europa crearea pieselor muzicale nu a avut de la bun inceput o importanta mai mare decat interpretarea acestora. Astfel protectia \u201cpatrimoniala\u201d (financiara) a compozitiilor nu a primit o atentie adecvata decat in ultimele decenii. \u201cDrepturile morale\u201d asupra operei persista si dupa expirarea perioadelor stipulate in reglementarile europene cu privire la drepturile de autor si conexe.<\/p>\n","protected":false},"excerpt":{"rendered":"

Datorita unui imbroglio legislativ referitor la drepturile de autor ale compozitorilor europeni, \u201cBolero\u201d-ul lui Maurice Ravel va intra in asa-numitul juridic \u201cdomeniu public\u201d doar in data de 20 aprilie 2016! Pana atunci aceasta lucrare muzicala genereaza in mod obstinat sume anuale impresionante, din drepturi de autor si drepturi conexe (o aproximare facuta la sfarsitul anilor […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3777],"tags":[332,281,200,669,333,282,283,3981,196,197,201,198,199,280,272,290,284,289,358,334,222],"class_list":["post-22825","post","type-post","status-publish","format-standard","hentry","category-mezzopiano-stories-by-cosmina-cornea","tag-compozitor","tag-concert-cameral","tag-concerte-muzica-clasica","tag-conservator","tag-dirijor","tag-festival","tag-instrumentisti","tag-maurice-ravel","tag-muzica","tag-muzica-clasica","tag-muzica-clasica-romania","tag-muzica-culta","tag-muzica-simfonica","tag-muzician","tag-opera","tag-orchestra","tag-pianist","tag-simfonie","tag-sonata","tag-stagiune","tag-violonist"],"acf":{"poza_fixa":"https:\/\/www.societateamuzicala.ro\/societateaculturala\/wp-content\/uploads\/2016\/02\/Maurice-Ravel.jpg","oras":"","in_strainatate":false,"pian":false,"orga":false,"data1":"1454411760","data2":"","afiseaza_data_post":false,"articole_parinte":"","articole_relationate":"","coordonate":false,"tab3":false},"yoast_head":"\nUnde sunt banii lui Maurice Ravel? - Societatea Culturala<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.societateamuzicala.ro\/societateaculturala\/unde-sunt-banii-lui-maurice-ravel\" \/>\n<meta property=\"og:locale\" content=\"ro_RO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Unde sunt banii lui Maurice Ravel? - Societatea Culturala\" \/>\n<meta property=\"og:description\" content=\"Datorita unui imbroglio legislativ referitor la drepturile de autor ale compozitorilor europeni, \u201cBolero\u201d-ul lui Maurice Ravel va intra in asa-numitul juridic \u201cdomeniu public\u201d doar in data de 20 aprilie 2016! 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