{"id":287,"date":"2017-12-18T08:53:41","date_gmt":"2017-12-18T08:53:41","guid":{"rendered":"https:\/\/www.societateamuzicala.ro\/lidiavianu\/?p=287"},"modified":"2018-01-12T09:00:59","modified_gmt":"2018-01-12T09:00:59","slug":"texte-de-tradus-pentru-concurs","status":"publish","type":"post","link":"https:\/\/www.societateamuzicala.ro\/lidiavianu\/2017\/12\/18\/texte-de-tradus-pentru-concurs\/","title":{"rendered":"Texte de tradus pentru concurs"},"content":{"rendered":"

Concursul de traducere pentru echipa <\/strong><\/p>\n

Masterclass-ului de Traducere Literar\u0103, <\/strong><\/p>\n

edi<\/strong>\u021b<\/strong>ia a III-a, 16-20 aprilie 2018<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Cei interesati sunt rugati sa trimita la adresa\u00a0masterclass@lidiavianu.org<\/a>\u00a0urmatoarele:<\/p>\n

    \n
  1. textul tradus in limba engleza<\/li>\n
  2. un curriculum vitae care sa reflecte experienta in activitatea de traducere literara<\/li>\n
  3. o scrisoare de intentie.<\/li>\n<\/ol>\n

    Termenul pana la care se primesc aplicatii este\u00a030 ianuarie 2018.<\/strong><\/p>\n

    Lista castigatorilor va fi anuntata la data de\u00a030 ianuarie 2018<\/strong>, la adresa https:\/\/www.societateamuzicala.ro\/lidiavianu\/category\/masterclass-de-traducere-literara\/editia-a-iii-a-2018\/<\/a><\/p>\n

    Texte:<\/strong><\/p>\n

    Visez o \u015fcoal\u0103 \u00een care s\u0103 nu se predea, la drept vorbind, nimic. S\u0103 tr\u0103ie\u015fti lini\u015ftit si cuviincios, \u00eentr-o margine de cetate, iar oamenii tineri, c\u00e2\u0163iva oameni tineri ai lumii, s\u0103 vin\u0103 acolo spre a se elibera de tirania profesoratului. C\u0103ci totul \u015fi to\u0163i le dau lec\u0163ii. Totul trebuie \u00eenv\u0103\u0163at din afar\u0103 \u015fi pe dinafar\u0103, iar singurul lucru care le e \u00eeng\u0103duit din c\u00e2nd \u00een c\u00e2nd e s\u0103 pun\u0103 \u00eentreb\u0103ri. Dar nu vede\u0163i c\u0103 au \u015fi ei de spus ceva, de m\u0103rturisit ceva? \u015ei nu vede\u0163i c\u0103 noi nu avem \u00eentotdeauna ce s\u0103 le spunem? Suntem doar mijlocitori \u00eentre ei \u015fi ei \u00een\u015fi\u015fi. (Dar nici asta nu trebuie s\u0103 le fie spus.) Discipolul vine la tine s\u0103-\u0163i cear\u0103. Tu trebuie s\u0103-l \u00eenve\u0163i c\u0103 n-are nimic de primit, c\u0103 trebuie s\u0103 creasc\u0103. Discipolul vrea s\u0103 devin\u0103 ieder\u0103. Trebuie s\u0103-l la\u015fi s\u0103 fie ce trebuie s\u0103 fie: chiar buruian\u0103. \u015ei cel mai frumos sf\u00e2r\u015fit al t\u0103u\u2014fertilitate!\u2014e s\u0103 te n\u0103p\u0103deasc\u0103 buruienile!<\/p>\n

    Era un om at\u00e2t de t\u00e2n\u0103r \u015fi de armonios \u00eenc\u00e2t mi-am \u00eenchipuit un teolog care ar exclama: \u201eVoi sunte\u0163i cei care \u0163in lumea \u00een loc! Pentru voi trebuie lumea perpetuat\u0103, am\u00e2nat\u0103. Dumnezeu ar m\u00e2ntui-o dac\u0103 n-ar fi \u00eenc\u0103 fiin\u0163e s\u0103 se bucure de ea \u015fi s\u0103 \u00eent\u00e2rzie, prin tot ce e p\u0103g\u00e2n \u00een ei, r\u0103scump\u0103rarea.\u201d S\u0103 \u0163ii lumea \u00een loc. Este moarte? Este via\u0163\u0103? Toat\u0103 via\u0163a noastr\u0103 moral\u0103 \u00eencape aci: \u00eentre fiul risipitor \u015fi fratele lui. Ne pierdem \u015fi ne c\u0103im; sau ne p\u0103str\u0103m \u015fi ne \u00eempietrim inima. E r\u0103u s\u0103 nu ascul\u0163i. Dar e la fel de r\u0103u s\u0103 \u015ftii s\u0103 ascul\u0163i\u2014\u015fi s\u0103 \u0163ii minte.<\/p>\n

    G\u00e2ndul \u015ecolii, al celei unde s\u0103 nu se predea nimic, m\u0103 obsedeaz\u0103. St\u0103ri de spirit, asta trebuie dat altora; nu con\u0163inuturi, nu sfaturi, nu \u00eenv\u0103\u0163\u0103turi. De aceea nici nu trebuie lec\u0163ii. Chiar unui om care te \u00eentreab\u0103 nu ai nevoie s\u0103-i dai \u201elec\u0163ii\u201d. O carte pe care o sco\u0163i din bibliotec\u0103, un Preludiu de Bach pe care-l pui seara, \u00een lini\u015fte, sau un exemplu de senin\u0103tate intelectual\u0103 sunt mult mai educative dec\u00e2t o lec\u0163ie. Oamenii aceia tineri v\u0103d c\u0103 vrei s\u0103 \u00eencorporezi o idee \u015fi \u00eencep s\u0103 \u00eencorporeze \u015fi ei una. (Poate \u201eg\u00e2ndul unic\u201d, de care vorbea P\u00e2rvan.) Cred c\u0103 \u015fcoala asta trebuie f\u0103cut\u0103. Tout est vrai l\u00e0 dedans, rien n\u2019y est exact<\/em>, vorba lui Barres contra inginerilor de tipul lui Charles Martin, contra filologilor, contra profesorilor, contra fra\u0163ilor fiului risipitor.<\/p>\n

    Constantin Noica<\/strong><\/p>\n

     <\/p>\n

    \u2014… S-o fi v\u0103zut acum vreo zece ani, continu\u0103 Hrisanti, s-o fi v\u0103zut prin 1920-22, c\u00e2nd c\u00e2nta la \u201eFloarea-soarelui\u201d! Nu, n-ai de unde s-o \u015ftii. Era o c\u00e2rcium\u0103 m\u0103runt\u0103, t\u0103inui\u00adt\u0103, pe strada Popa Soare, dar avea \u015fi gr\u0103din\u0103, \u015fi \u00een fiecare var\u0103 venea s\u0103 c\u00e2nte acolo Leana. A\u015fa-i spuneam, \u015fi a\u015fa \u00eei pl\u0103\u00adcea \u015fi ei s\u0103-\u015fi spun\u0103: Leana. Dar nu uita niciodat\u0103 s\u0103 ada\u00aduge: \u201eNu m\u0103 cheam\u0103 a\u015fa. Pentru p\u0103catele mele am ajuns s\u0103 c\u00e2nt prin c\u00e2rciumi, \u015fi oamenii \u00eemi spun Leana. Dar eu n-am fost f\u0103cut\u0103 pentru asta.\u201d \u015ei poate, uneori, \u00ee\u0163i lua paharul, \u00eel ducea la buze, \u015fi uneori sorbea din el. Zic poate, <\/em>pentru c\u0103 nu f\u0103cea asta dec\u00e2t arareori, \u015fi numai dac\u0103 \u00eei pl\u0103cea de tine, dac\u0103 te vedea c\u0103 e\u015fti t\u00e2n\u0103r \u015fi i se p\u0103rea ei c\u0103 e\u015fti frumos sau melancolic \u015fi vis\u0103tor. Doar ce-\u015fi atingea buzele de pahar, dar nu era unul de la masa ei \u015fi de la mesele vecine s\u0103 n-o urm\u0103reasc\u0103 avid, sorbind-o din ochi, pentru c\u0103, cum s\u0103-\u0163i spun? c\u00e2nd atigea Leana paharul, toat\u0103 fa\u0163a i se lumina de un z\u00e2mbet nemaiv\u0103zut \u015fi ne\u00eenchipuit. Nu putea fi compa\u00adrat cu nimic, nu sem\u0103na cu nimic\u2014nici cu z\u00e2mbetul celor mai frumoase femei, nici cu al copiilor \u015fi nici cu z\u00e2mbetul \u00eengerilor. Da. Nu sem\u0103na cu nimic z\u00e2mbetul ei c\u00e2nd \u00ee\u015fi apro\u00adpia paharul de buze, cu ochii \u00een ochii b\u0103iatului. \u015ei zic \u00eentradins \u201eb\u0103iatului\u201d, pentru c\u0103 nu cred c\u0103 am v\u0103zut-o vre\u00adodat\u0103 lu\u00e2nd paharul vreunui t\u00e2n\u0103r trecut de dou\u0103zeci de ani. Pe-atunci, prin 1920-22, Leana p\u0103rea c\u0103 are vreo dou\u0103zeci \u015fi cinci de ani, poate, chiar, un an, doi mai mult.<\/p>\n

    \u2014Cam tot at\u00e2t pare s\u0103 aib\u0103 \u015fi ast\u0103-sear\u0103, \u00eel \u00eentrerupse Cladova.<\/p>\n

    \u2014Da, nu prea s-a schimbat. Dar, \u00een fond, zece ani, la v\u00e2rsta asta, mai ales la o femeie ca ea, nu prea conteaz\u0103… \u00cen ori\u00adce caz, relu\u0103, dup\u0103 ce umplu paharele, cine n-a v\u0103zut-o atunci, n-a v\u0103zut-o. Nu i-a v\u0103zut adev\u0103ratul <\/em>ei z\u00e2mbet, vreau s\u0103 spun. C\u0103ci, altminteri, Leana z\u00e2mbe\u015fte \u00eentruna, \u015fi z\u00e2mbe\u015fte \u00een at\u00e2tea feluri\u2014c\u00e2nd tace, c\u00e2nd te prive\u015fte \u00een ochi \u015fi te ascult\u0103, chiar c\u00e2nd c\u00e2nt\u0103 c\u00e2ntecele ei cele mai triste… Dar \u00een\u00adcepusem s\u0103-\u0163i vorbesc de \u201eFloarea-soarelui\u201d pentru c\u0103, pe atunci, Leana c\u00e2nta acompaniindu-se cu vioara. Da, cu o vioar\u0103, pe care o sprijinea \u00eentr-un chip ciudat, a\u015fa cum n-am v\u0103zut pe nimeni altcineva, o sprijinea c\u00e2nd de s\u00e2n, c\u00e2nd de coaps\u0103, c\u00e2nd parc\u0103 ar fi \u0163inut-o \u00een aer, dar atunci se mul\u0163u\u00admea s\u0103-\u015fi tremure arcu\u015ful pe ultimele coarde. De fapt, nici nu \u015ftiu dac\u0103 era o vioar\u0103 ca toate celelalte. Pe c\u00e2t m\u0103 price\u00adpeam eu, mi se p\u0103rea c\u0103 sunetele seam\u0103n\u0103 mai degrab\u0103 cu cele de violoncel. \u015ei totu\u015fi era o vioar\u0103 mic\u0103, dar parc\u0103 ar fi avut altfel de coarde, cu sunete joase, grave, melancolice. \u015ei mai ales asta a f\u0103cut-o repede celebr\u0103 la \u201eFloarea-soarelui\u201d \u2014 melancolia ei, melancolia c\u00e2ntecelor ei. Nu \u015ftiu de unde, nici de la cine le \u00eenv\u0103\u0163ase, c\u0103ci erau c\u00e2ntece vechi, mai de ni\u00admeni cunoscute. Dar nu era numai asta, numai faptul c\u0103 \u015ftia c\u00e2ntece \u015fi balade at\u00e2t de vetuste, \u015fi melodii arhaice: le crea din nou, <\/em>le c\u00e2nta a\u015fa cum trebuiau ele c\u00e2ntate ca s\u0103 ne plac\u0103 nou\u0103, tinerii de pe-atunci, dup\u0103 r\u0103zboi.<\/p>\n

    Mircea Eliade<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

    Concursul de traducere pentru echipa Masterclass-ului de Traducere Literar\u0103, edi\u021bia a III-a, 16-20 aprilie 2018 \u00a0 Cei interesati sunt rugati sa trimita la adresa\u00a0masterclass@lidiavianu.org\u00a0urmatoarele: textul tradus in limba engleza un curriculum vitae care sa reflecte experienta in activitatea de traducere literara o scrisoare de intentie. Termenul pana la care se primesc aplicatii este\u00a030 ianuarie 2018. 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Termenul pana la care se primesc aplicatii este\u00a030 ianuarie 2018. 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